Showing posts with label novel. Show all posts
Showing posts with label novel. Show all posts

Thursday

The premise of this book was actually quite innovative. Some people may like a whiner-type protag... I do not, though. She comes around in toward the middle, thank goodness, and quits feeling sorry for herself. In my humble opinion, this process could have taken one chapter and the point would have been made nicely.
This is one woman's view of what it feels like to lose a husband. I did not particularly like it, but it has quite a good development of the storyline. I do know one thing, traveling across country by yourself is a most excellent way to deal with loss, especially if you can be quite and listen to God's voice. I did enjoy the trip to the Grand Canyon and the two sisters she met there. It's a quick read, too.

This week, the

Christian Fiction Blog Alliance

is introducing

Tender Grace

Bethany House (February 1, 2009)

by

Jackina Stark



ABOUT THE AUTHOR:

I have also spoken nationally and internationally at many retreats and seminars and enjoy running into many readers and former students. I have written frequently for both Christian Standard and Lookout, periodicals of Standard Publishing. Years ago I wrote two non-fiction books, published by College Press, but currently out of print. These days, I’m exploring fiction. My first novel, Tender Grace, will be released by Bethany House January 30, 2009, and a second, Things Worth Remembering, will be released in October, 2009. I’m working on new projects, including a third novel, as time permits. Whether speaking or writing, I love the opportunity to tell about Him whom Jesus called “Holy Father” and “the only true God.”

She lives in Joplin, Missouri with her husband, and she spends most of her free time doing is reading and writing. That is what she usually do when she's not teaching, enjoying the children and grandchildren, or sitting on the back porch drinking a Diet Coke and watching her husband till the garden!


ABOUT THE BOOK

Audrey Eaton awakes at three in the morning and gets up to retrieve her husband, Tom, from the recliner where he has fallen asleep watching a ball game. But when she enters the living room and looks at his gentle face in the soft lamp light, she knows their time together is over. Grief attacks her until all she can think about is how much she wants her old life back. Determined to find healing, she embarks on a journey to the one place Tom and she always intended to visit but never did. Along the way, she discovers, through shared experiences with friends old and new, the meaning of the "tender graces" God provides each and every day.

I've quit reading--even bestsellers, even the newspaper, even my Bible. I've also quit listening to music. This lack of appreciation for things I once loved is beginning to define me. More mornings than I can count, I say to myself before I open my eyes, "I don't want to do this." In the days shortly following Tom's death, that made sense, but what does it mean now? That I'm in trouble? One of the best qualities of the former me was thankfulness. As I was trying to sleep last night, needing Tom to be curled up behind me, his left arm slung across me, I realized to my horror that I couldn't remember the last time I was truly thankful. I think of a line from an old hymn: "Awake, my soul, and sing." I miss Tom. I also miss me. Determined to find healing, Audrey Eaton embarks on a trip to the one place she and her husband always intended to visit but never did. When things don't go as planned, will she embrace the unexpected graces that guide her journey?

If you would like to read the first chapter of Tender Grace, go HERE

Wednesday

Trouble the Water

This story is quite a bit better than her first novel, The Spirit of Sweetgrass, It is another Slice of Southern and Seitz does a good job with dialect. Although, I've been told you aren't supposed to do that anymore. I say, if it works, do it. And it works in the novel.

An excerpt:

"This is another thing I know for a fact: a woman can't be an island, not really. No, it's the touching we do in other people's lives that matters when all is said and done. The silly things we do for ourselves--shiny new cars and jobs and money--they don't mean a hill of beans. Honor taught me that. My soul sisters on this island taught me that. And this is the story of true sisterhood. It's the story of Honor, come and gone, and how one flawed woman worked miracles in this mixed-up world."

But, you'll have to read Trouble the Water and decide for yourself.

Friday

To Dance in the Desert



Here's a keeper. From the very first page I was drawn into this story. The characters are well defined and seem three dimensional. It is a smooth storyline and very readable. It is slow in some places, but the characterizations are superb.
I highly recommend this book.

Tuesday

Demon: A Memoir

I have some strong opinions about this book. I seriously and deeply doubt that any fallen angel had remorse that he followed Lucifer in rebellion against God. But, this does make for some interesting fantasy. AND, one thing that must always remain at the forefront is that God does use Satan for His own good purposes. However, I know I probably would have bought this book because it is so highly praised, but then I would have been disappointed that I spent my hard earned money on it. What I recommend is that you save your money and buy next month's book "Nobody", by Creston Mapes. It gets 5 stars hands down.




It is October 1st, time for the FIRST Day Blog Tour! (Join our alliance! Click the button!) The FIRST day of every month we will feature an author and his/her latest book's FIRST chapter!




This month's feature author is:



and her book:

Demon: A Memoir

(NavPress, September 1, 2007)




ABOUT THE AUTHOR:

Tosca Lee received her BA in English and International Relations from Smith College in Northampton, Massachusetts. She has also studied at Oxford University.

As a Leadership Consultant, Tosca works with managers and leaders of organizations throughout the Pan-Pacific region, Europe, and the U.S.

Tosca is a former Mrs. Nebraska-America 1996, Mrs. Nebraska-United States 1998 and first runner-up to Mrs. United States and has been lauded nationally for her efforts to fight breast cancer.

In her spare time, Tosca enjoys cooking, studying history and theology, and traveling. She currently resides in Nebraska with her Shar Pei, Attila.

Visit her at her website and her blog.

AND NOW...THE FIRST CHAPTER:

Chapter One


It was raining the night he found me. Traffic had slowed on Massachusetts Avenue, and the wan light of streetlamps reflected off the pavement. I was hurrying on without an umbrella, distracted by the chirp of a text message on my phone, trying to shield its illuminated face from rain and the drizzle off storefront awnings. There had been a mistake in my schedule, an appointment that I didn’t recognize and that I had stayed late at the office for — until six forty-five — just in case. Our office manager was texting me from home now to say she had no idea who it was with, that the appointment must have belonged on Phil’s calendar, that she was sorry for the mistake and to have a good night.

I flipped the phone shut, shoved it in my bag. I was worn out by this week already, and it was only Tuesday. The days were getting shorter, the sun setting by six o’clock. It put me on edge, gnawed at me, as though I had better get somewhere warm and cheerful or, barring all else, home before it got any darker. But I was unwilling to face the empty apartment, the dirty dishes and unopened mail on the counter. So I lowered my head against the rain and walked another two blocks past my turnoff until I came to the Bosnian Café. A strap of bells on the door announced my entrance with a ringing slap.

I liked the worn appeal of the Bosnian Café with its olfactory embrace of grilled chicken and gyro meat that enveloped me upon every arrival and clung to me long after leaving. That night, in the premature darkness and rain, the café seemed especially homey with its yellowing countertops, chipped mirrors, and grimy ketchup bottles. Cardboard shamrocks, remnants of a forgotten Saint Patrick’s Day, draped the passthrough into the kitchen, faded around their die-cut edges. A string of Christmas lights lined the front window, every third bulb out. On the wall above the register, a framed photo of the café’s owner with a local pageant queen, and another with a retired Red Sox player, had never been dusted. But no one, including me, seemed to mind.

I stood in the entry waiting for Esad, the owner, to notice me. But it was not the bald man who welcomed me.

It was the dark-haired stranger.

I was surveying the other tables, looking for inspiration — chicken or steak, gyro or salad — when he beckoned. I hesitated, wondering if I should recognize him, this man sitting by himself — but no, I did not know him. He impatiently waved again, and I glanced over my shoulder, but there was no one standing in the entryway but me. And then the man at the table stood up and strode directly to me.

“You’re late,” he said, clasping my shoulder and smiling. He was tall, tanned, with curling hair and a slightly hooked nose that did nothing to detract from his enviable Mediterranean looks. His eyes glittered beneath well-formed brows. His teeth were very white.

“I’m sorry. I think you have the wrong person,” I said. He chuckled.

“Not at all! I’ve been waiting for you for quite some time. An eternity, you might say. Please, come sit down. I took the liberty of ordering for you.” His voice reminded me of fine cognac, the Hors d’Age men drink aboard their yachts as they cut their Cohíbas.

“You have the wrong person. I don’t know you,” I insisted, even as he steered me toward the table. I didn’t want to embarrass him; he already seemed elegantly out of place here in what, for all practical purposes, was a joint. But he would feel like an elegant fool in another minute, especially if his real appointment — interview, date, whatever — walked in and saw him sitting here with me.

“But I know you, Clay.”

I started at the sound of my name, spoken by him with a mixture of familiarity and strange interest, and then I studied him more closely — the squareness of his jaw, the smoothness of his cheek, his utter self-possession — wondering if I had indeed met him before. But I hadn’t, I was certain of it now.

One of Esad’s nephews arrived with a chicken sandwich and two cups of coffee. “Please,” the stranger said, motioning to a vinyl-covered chair. Numbly, stupidly, I sat.

“You work down the street at Brooks and Hanover,” he said when the younger man had gone. He seated himself adjacent to me, his chair angled toward mine. He crossed his legs, plucked invisible lint off the fine wool of his trousers. “You’re an editor.”

Several thoughts went through my head in that moment, none of them savory: first, that this was some finance or insurance rep who — just like the pile of loan offers on my counter at home — was trying to capitalize on my recent divorce. Or, that this was some aggressive literary agent trying to play suave.

Most likely, though, he was a writer.

Every editor has stories to tell: zealous writers pushing manuscripts on them during their kid’s softball game, passing sheaves of italicized print across pews at church, or trying to pick them up in bars, casually mentioning between lubricated flirtations that they write stories on the side and just happen to have a manuscript in the car. I had lost count of the dry cleaners, dental hygienists, and plumbers who, upon hearing what I did for a living, had felt compelled to gift me with their short stories and children’s books, their novels-in-progress and rhyming poetry.

“Look, whoever you are — ”

“Lucian.”

I meant to tell him that I was sure we didn’t publish whatever it was he wanted me to read, that there were industryaccepted ways to get his work to us if we did, that he could visit the website and check out the guidelines. I also meant to get up and walk away, to look for Esad or his nephew and put an order in — to go. But I didn’t say or do any of these things, because what he said next stopped me cold.

“I know you’re searching, Clay. I know you’re wondering what these late, dark nights are for. You have that seasonal disease, that modern ailment, don’t you? SAD, they call it. But it isn’t the disorder — you should know that. It isn’t even your divorce. That’s not what’s bothering you. Not really.”

I was no longer hungry. I pushed away the chicken sandwich
he had ordered and said with quiet warning, “I don’t know who you are, but this isn’t funny.”

He went on as though he hadn’t heard me, saying with what seemed great feeling, “It’s that you don’t know what it’s all for: the hours and days, working on the weekends, the belief that you’ll eventually get caught up and on that ultimate day something will happen. That everything will make sense or you’ll at least have time to figure it out. You’re a good man, Clay, but what has that won you? You’re alone, growing no younger, drifting toward some unknown but inevitable end in this life. And where is the meaning in that?”

I sat very still. I felt exposed, laid open, as though I had emptied my mind onto the table like the contents of a pocket. I could not meet his gaze. Nearby, a couple — both of their heads dripping dirty blond dreadlocks — mulled over menus as the woman dandled an infant on her lap. Beyond them, a thickset woman paged through People, and a young man in scrubs plodded in a sleep-deprived daze through an anemic salad. I wondered if any of them had noticed my uncanny situation, the strange hijacking taking place here. But they were mired in their menus, distractions, and stupor. At the back counter, a student tapped at the keypad of his phone, sending messages into the ether.

“I realize how this feels, and I apologize,” Lucian said, folding long fingers together on his knee. His nails were smooth and neatly manicured. He wore an expensivelooking watch, the second hand of which seemed to hesitate before hiccupping on, as though time had somehow slowed in the sallow light of the diner. “I could have done this differently, but I don’t think I would have had your attention.”

“What are you, some kind of Jehovah’s Witness?” I said. It was the only thing that made sense. His spiel could have hit close to anyone. I felt conned, angry, but most of all embarrassed by my emotional response.

His laughter was abrupt and, I thought, slightly manic. “Oh my,” he said, wiping the corners of his eyes. I pushed back my chair.

His merriment died so suddenly that were it not for the sound of it still echoing in my ears, I might have thought I had imagined it. “I’m going to tell you everything,” he said, leaning toward me so that I could see the tiny furrows around the corners of his mouth, the creases beneath his narrowed eyes. A strange glow emanated from the edge of his irises like the halo of a solar eclipse. “I’m going to tell you my story. I’ve great hope for you, in whom I will create the repository of my tale — my memoir, if you will. I believe it will be of great interest to you. And you’re going to write it down and publish it.”

Now I barked a stunted laugh. “No, I’m not. I don’t care if you’re J. D. Salinger.”

Again he went on as though I’d said nothing. “I understand they’re all the rage these days, memoirs. Publishing houses pay huge sums for the ghostwritten, self-revelatory accounts of celebrities all the time. But trust me; they’ve never acquired a story like mine.”

“Look,” I said, a new edge in my voice, “You’re no celebrity I recognize, and I’m no ghostwriter. So I’m going to get myself some dinner and be nice enough to forget this ever happened.” But as I started to rise, he grabbed me by the arm. His fingers, biting through the sleeve of my coat, were exceedingly strong, unnaturally warm, and far too intimate.

“But you won’t forget,” he said, the strange light of fanaticism in his eyes. His mouth seemed to work independently of their stare, as though it came from another face altogether. “You will recall everything — every word I say. Long after you have forgotten, in fact, the name of this café, the way I summoned you to this table, the first prick of your mortal curiosity about me. Long after you have forgotten, in fact, the most basic details of your life. You will remember, and you will curse or bless this day.”

I felt ill. Something about the way he said mortal . . . In that instant, reality, strung out like an elastic band, snapped. This was no writer.

“Yes. You see,” he said quietly. “You know. We can share now, between us, the secret of what I am.”

And the words came, unbidden, to my mind: Fallen. Dark Spirit.

Demon.

The trembling that began in my stomach threatened to seize up my diaphragm. But then he released me and sat back. “Now. Here is Mr. Esad, wondering why you haven’t touched your sandwich.” And indeed, here came the bald man, coffeepot in hand, smiling at the stranger as though he were more of a regular than I. I stared between them as they made their pleasantries, the sound of their banter at sick odds with what my visceral sense told me was true, what no one else seemed to notice: that I was sitting here with something incomprehensively evil.

When Esad left, Lucian took a thin napkin from the dispenser and set it beside my coffee cup. The gesture struck me as aberrantly mundane. He sighed.

“I feel your trepidation, that sense that you ought to get up and leave immediately. And under normal circumstances, I would say that you are right. But listen to me now when I tell you you’re safe. Be at ease. Here. I’ll lean forward like this, in your human way. When that couple over there sees my little smile, this conspiratorial look, they’ll think we’re sharing a succulent bit of gossip.”

I wasn’t at ease. Not at all. My heart had become a pounding liability in my chest.

“Why?” I managed, wishing I were even now in the emptiness of my apartment, staring at the world through the bleak window of my TV.

Lucian leaned even closer, his hand splayed across the top of the table so that I could see the blue veins along the back of it. His voice dropped below a whisper, but I had no difficulty hearing him. “Because my story is very closely connected to yours. We’re not so different after all, you and I. We both want purpose, meaning, to see the bigger picture. I can give you that.”

“You don’t even know me!”

“On the contrary,” he said, sliding the napkin dispenser away, as though it were a barrier between us. “I know everything about you. Your childhood house on Ridgeview Drive. The tackle box you kept your football cards in. The night you tried to sneak out after homecoming to meet Lindsey Bennett. You broke your wrist climbing out of the window.”

I stared.

“I know of your father’s passing — you were fifteen. About the merlot you miss since giving up drinking, the way you dip your hamburgers in blue cheese dressing — your friend Piotr taught you that in college. That you’ve been telling yourself you ought to get away somewhere — Mexico, perhaps. That you think it’s the seasonal disorder bothering you, though it’s not — ”

“Stop!” I threw up my hands, wanting him to leave at once, equally afraid that he might and that I would be stuck knowing that there was this person — this thing — watching me. Knowing everything.

His voice gentled. “Let me assure you you’re not the only one; I could list myriad facts about anyone. Name someone. How about Sheila?” He smirked. “Let’s just say she didn’t return your essage from home, and her husband thinks she’s working late. Esad? Living in war-torn Bosnia was no small feat. He — ” He cocked his head, and there came now a faint buzzing like an invisible swarm of mosquitoes. I instinctively jerked away.

“What was that?” I demanded, unable to pinpoint where the sound had come from.

“Ah. A concentration camp!” He looked surprised. “I didn’t know that. Did you know that? And as for your ex — ” He tilted his head again.

“No! Please, don’t.” I lowered my head into my hand, dug my fingers into my scalp. Five months after the divorce, the wound still split open at the mere mention of her.

“You see?” he whispered, his head ducked down so that he stared intently up into my face. “I can tell you everything.”

“I don’t understand.”

“I’ve made a pastime of studying case histories, of following them through from beginning to end. You fascinate me in the same way that beetles with their uncanny instinct for dung rolling used to fascinate you. I know more about you than your family. Than your ex. Than you know about yourself, I daresay.”

Something — some by-product of fear — rose up within me as anger at last. “If you are what you say, aren’t you here to make some kind of deal for my soul? To tempt me? Why did you order me coffee, then? Why not a glass of merlot or a Crown and Coke?” My voice had risen, but I didn’t care; I felt my anger with relief.

Lucian regarded me calmly. “Please. How trite. Besides, they don’t serve liquor here.” But then his calm fell away, and he was staring — not at me but past me, toward the clock on the wall. “But there,” he pointed. His finger seemed exceedingly long. “See how the hour advances without us!” He leapt to his feet, and I realized with alarm that he meant to leave.

“What — you can’t just go now that you’ve — ”

“I’ve come to you at great risk,” he hissed, the sound sibilant, as though he had whispered in my ear though he stood three feet away. And then he strode to the glass door and pushed out into the darkness, disappearing beyond the reflected interior of the café like a shadow into a mirror. The strap of bells fell against the door with a flat metal clink, and my own stunned reflection stared back.

Rain pelted my eyes, slipped in wet tracks through my hair against my scalp, ran in rivulets down my nape to mingle with the sweat against my back. It had gotten colder, almost freezing, but I was sweating inside the sodden collar of my shirt as I hurried down Norfolk, my bag slapping against my hip, my legs cramped and wooden, nightmare slow.

The abrupt warmth inside my apartment building threatened to suffocate me as I stumbled up the stairs. My ears pintingled to painful life as I fumbled with my keys. Inside my apartment at last, I fell back against the door, head throbbing and lungs heaving in the still air. I stayed like that, my coat dripping onto the carpet, for several long moments. Then a mad whim struck me.

With numb fingers, I retrieved the laptop from my bag and set it up on the kitchen table. With my coat still on, I dropped down onto a wooden chair, staring at the screen as it yawned to life. I logged into the company server, opened my calendar.

There — my six-thirty appointment. It was simply noted: L.


Sample from Demon / ISBN 1-60006-123-0
Copyright © 2006 NavPress Publishing.
All rights reserved.
To order copies of this resource, come back to www.navpress.com.

Monday

The Hidden

This is a good book. It is not edge of your seat suspense... it is more kick your feet up and forget to go to bed. The plot moves in a fairly fast pace with several surprising twists. And the mystery is absorbing. I have a couple of theological questions, but I can't ask them or I'd spoil the book for you. I'd never do that!

A dark ravine. A fiery death. An unimaginable secret. Some things are best left hidden.
Grieving her son's death, psychiatrist Susan Stone returns home to Colorado to help her elderly father manage his horse-breeding business. After the botched delivery of a prized foal, Susan rides wildly into the mountains, seeking release from consuming guilt. Thrown from her horse, she tumbles into a dark ravine and makes a startling discovery--a young man, chained in the darkness.


I know this character Susan Stone. You have probably met her, too. She's grieving alone and truly stubborn about it... and has no room for God in her scientific mind. Boy, does God have a plan for her! If you like mysteries, you'll like this book.

I believe you would like Kathryn, too. She has written screenplays for Fox, Disney and Showtime. She worked on the screenwriting team for Leftbehind: The Movie as well as Frank Peretti's Hangman's Curse. She describes herself as, "a middle-aged mom in Hollywood." Her story is amazing! On her website under her bio she states:

Bottom line: The month I turned 45 I sold my first book out of the
slush pile. The editor told me it was a million-to-one shot that they bought
something out of the slush pile. Three weeks later I sold my first
screenplay—out of the Hollywood equivalent of the slush pile. The studio
exec told me that it was a million-to-one shot that they bought something
that way.


You do the math. It adds up to impossible.
Because the truth is this: only God could send a middle-aged mom to Hollywood.
And He’s kept me busy ever since. Each day is a blessing, each year another
adventure.


I know it's true! It is never too late for God's plan to work in your life.

Kathryn graciously took time from her holiday to answer a couple of questions.

Gina: I have to ask… I looked, but didn’t find it on your website, how did you get the idea for The Hidden?

Kathryn: Because of my recent surgery (total hip replacement that, praise the Lord, is doing great!), I haven’t done the work to get The Hidden up on my website. My webmaster has been willing—the delay is all my fault!

I can’t be too specific as to where the idea for the book came from because I don’t want to give away the answer to who Jacob is and where he’s from. Which means I’ll have to be a bit of a tease because I got the idea from an obscure verse that appears in two of the smaller epistles of the New Testament. The same verse is key to the understanding of what is going on with Jacob but not until much later in the book.

That tease out of the way, I will say
The Hidden always involved Colorado and horses. At the time I first developed the story, I hadn’t ever been to Colorado. And I haven’t been on a horse since I was in college. Sometimes stories spring to life of their own accord, with their own locales and personalities—without an author having much to do with it!

I can say that while Rick Sanchez was always a character, the murders were a late addition. I felt I needed them to help sustain suspense while we waited for Susan to complete her unraveling and ride off into the mountains (where she finds Jacob). Sometimes authors construct plot elements to keep readers interested while we roll out the core of our stories!

Gina: I love how you weave your story with Faith and with Consequences. Could you tell us what you have learned about God while writing your books and how that has impacted your life?

Kathryn: Madeleine L’Engle once said, “The nature of Love is to create.” As a writer, I have the great privilege of tapping into that creative impulse that springs from being made in the image of God. That I can write about a God that is beyond anyone we can imagine and yet show his Love in the lives of people as sinful—and yet loved—as myself often takes my breath away. Even in my so-called “secular” books and movies, I seek God among the ruins of humanity and find joy when a character experiences the same impulse to goodness and righteousness that we can name as the heart of Christ.

Because I look for redemption every day in my writing, I’m learning more and more to look for God’s hand in all aspects of life. Sometimes my life is hard. Sometimes it’s messy. Sometimes what’s worse than a blank page is a page—or a day or a chunk of lifetime—filled with failure.

But more and more, I've learned that there’s nothing worse than turning away from that creative impulse and looking for the safe place. Like everyone else, I want to feel safe. But security is not among Christ’s provisions. (Provision is but safety is not.) Every day my life is a blank page that I’ve committed to the Lord for His authorship. If I don’t like the plot or the tone of His work in me, I need to muster the faith and courage to “read” on.


Now, gentle reader, is that not the best advice you could ever receive?

If you don't like the plot or the tone of God's work, muster the faith and courage to read on... It will be well worth it. That is a promise from God.






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